| 1959 (Showa 34) | Graduated from Kanazawa College of Art/studied under Professor Kitade Tojiro and Asakura Isokichi |
|---|---|
| 1960 (Showa 35) | First selection at the Contemporary Art Exhibition (continuously submitted works thereafter) |
| 1961 (Showa 36) | Following in the footsteps of his grandfather and father |
| 1962 (Showa 37) | Presenting a decorative plate to Ambassador Reischauer |
| 1964 (Showa 39) | First time selected for Asahi Ceramic Art Exhibition |
| 1967 (Showa 42) | First time selected for the Nitten/Contemporary Crafts Exhibition (continuously thereafter) |
| 1969 (Showa 44) | Traveled to Europe and continued to take training trips |
| 1971 (Showa 46) | Minister of Labor Award |
| 1972 (Showa 47) | Appeared on NHK's "Living for Kutani Ware" |
| 1976 (Showa 51) | Prince Mikasa purchases "Early Spring" |
| 1979 (Showa 54) | Contemporary Craft Artists Association Member/Produced a sake cup for the Prime Minister's visit to China |
| 1980 (Showa 55) | Presented to Prince and Princess Hitachi |
| 1981 (Showa 56) | Hotel ceramic wall "Poem of the Forest" |
| 1987 (Showa 62) | Prime Minister's Commendation |
| 1988 (Showa 63) | Presenting a flower arrangement to Ambassador Asrani |
| 1993 (Heisei 5) | Presented to Prince Mikasa Takahito |
| 1994 (Heisei 6) | Solo exhibition at Switzer Gallery / Lecture at a US university |
| 1997 (Heisei 9) | Visiting Professor, Gallaudet University |
| 2002 (Heisei 14) | Solo exhibition at the Smithsonian Museum |
| 2003 (Heisei 15) | Visiting Professor, Ratchasuda University |
| 2005 (Heisei 17) | Edward Gallaudet Award Winner |
Third generation Mitsui Tameyoshi - Mitsui Tamekichi -
A painter who continues to pass on traditional Kutani ware to the present day
He inherited the Ko-Kutani style of early Kutani and the techniques of Yoshidaya Kiln. While using traditional designs such as landscapes and flowers, birds, wind and moon, he captivates with his works that have a modern and sophisticated atmosphere. As the pinnacle of Kutani ware tradition, he has established a firm aesthetic.
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