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No. 12 decorative plate with pine, bamboo, plum and bird / by Tamekichi Mitsui

Sale price¥396,000
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九谷焼 三代三ツ井為吉作 12号飾皿 松竹梅に鳥。重厚な色絵と繊細な山水画の構成が美しい美術工芸品。
No. 12 decorative plate with pine, bamboo, plum and bird / by Tamekichi Mitsui Sale price¥396,000

Work introduction

Commentary

Kutani colored enamel instantly dominates the atmosphere. Mitsui Tamekichi III "No. 12 decorative plate: Pine, bamboo, plum and bird"

This decorative plate has an overwhelming presence that instantly elevates the atmosphere. This is a work by the third generation Mitsui Tamekichi. The five colors (red, yellow, green, purple, and indigo) unique to Kutani ware are expressed with the deep hues that Tamekichi is known for, giving it a strong presence as a work of art that transcends the boundaries of mere craftsmanship. The vibrant colors with a sense of weight that are reminiscent of Ko-Kutani and Yoshidaya are also stunning. The beloved motif of pine, bamboo, and plum is depicted like a landscape painting, and the surrounding area is filled with classical patterns, creating a highly aesthetically pleasing composition. The blank space in the center gives a pleasant sense of depth.

The third generation, Tamekichi Mitsui, has established a style that combines the traditions of Ko-Kutani with modern sophistication. This work also features a traditional design, but the clever combination of patterns gives it a modern impression, making it a masterpiece. The splendor of the colors he arrived at after many years of research is also noteworthy. The lustrous, deep colors are reminiscent of the era of Ko-Kutani and Yoshidaya.

This is the pinnacle of the tradition of overglaze painting that Kutani ware is proud of. Please enjoy the profound beauty of the works of the third generation Mitsui Tamekichi to your heart's content.

Product size: diameter 31 x height 5 cm
Accessories: Plate stand box Type: Paulownia wood box with string thread

Artist introduction

Third generation Mitsui Tameyoshi

Third generation Mitsui Tameyoshi

A painter who continues to pass on traditional Kutani ware to the present day

He inherited the Ko-Kutani style of early Kutani and the techniques of Yoshidaya Kiln. While using traditional designs such as landscapes and flowers, birds, wind and moon, he captivates with his works that have a modern and sophisticated atmosphere. As the pinnacle of Kutani ware tradition, he has established a firm aesthetic.

Biography

1959 (Showa 34) Graduated from Kanazawa College of Art/studied under Professor Kitade Tojiro and Asakura Isokichi
1960 (Showa 35) First selection at the Contemporary Art Exhibition (continuously submitted works thereafter)
1961 (Showa 36) Following in the footsteps of his grandfather and father
1962 (Showa 37) Presenting a decorative plate to Ambassador Reischauer
1964 (Showa 39) First time selected for Asahi Ceramic Art Exhibition
1967 (Showa 42) First time selected for the Nitten/Contemporary Crafts Exhibition (continuously thereafter)
1969 (Showa 44) Traveled to Europe and continued to take training trips
1971 (Showa 46) Minister of Labor Award
1972 (Showa 47) Appeared on NHK's "Living for Kutani Ware"
1976 (Showa 51) Prince Mikasa purchases "Early Spring"
1979 (Showa 54) Contemporary Craft Artists Association Member/Produced a sake cup for the Prime Minister's visit to China
1980 (Showa 55) Presented to Prince and Princess Hitachi
1981 (Showa 56) Hotel ceramic wall "Poem of the Forest"
1987 (Showa 62) Prime Minister's Commendation
1988 (Showa 63) Presenting a flower arrangement to Ambassador Asrani
1993 (Heisei 5) Presented to Prince Mikasa Takahito
1994 (Heisei 6) Solo exhibition at Switzer Gallery / Lecture at a US university
1997 (Heisei 9) Visiting Professor, Gallaudet University
2002 (Heisei 14) Solo exhibition at the Smithsonian Museum
2003 (Heisei 15) Visiting Professor, Ratchasuda University
2005 (Heisei 17) Edward Gallaudet Award Winner