| 2003 (Heisei 15) |
Studied under Nakada Kingyoku II. |
|---|---|
| 2013 (Heisei 25) |
Selected for the National Traditional Crafts Competition. Selected for the Traditional Kutani Ware Crafts Exhibition. |
| 2016 (Heisei 28) |
Certified as a Traditional Craftsman of Kutani Ware. |
| 2017 (Heisei 29) |
Received the Ishikawa Prefecture Outstanding Traditional Craft Technician Encouragement Award. Crafted the Chairman's Trophy for the Oomurasaki Golf Club. |
| 2019 (Reiwa 1) |
Won the Ichinoseki Mayor's Award at the Japan Traditional Craftsmen Association Exhibition. |
| 2021 (Reiwa 3) |
Won the Technique Award at the 44th Traditional Kutani Ware Crafts Exhibition. |
| 2022 (Reiwa 4) |
Won the Hokkoku Shimbun Award at the 45th Traditional Kutani Ware Crafts Exhibition. |
| 2023 (Reiwa 5) |
Selected for the 70th Japan Traditional Art Crafts Exhibition with "Kumpu" (Breeze), a platinum relief white dot lidded box. Won the Ishikawa Prefectural Art and Culture Association Chairman's Award at the 27th Crafts Competition of the Kanazawa Castle and Kenrokuen Great Tea Ceremony. |
| 2025 (Reiwa 7) |
Won the Newcomer Award at the 20th Modern Small Pot Exhibition during the 50th Gafuten. |
TitleKutani Porcelain Incense Burner "White Chibu Granulation & Gold Clematis" / Nakada Kingyoku III
〈 作品に関するご相談 〉
作品や配送についてご不明な点がございましたら、九谷焼の専門商社である当店スタッフが丁寧にお答えいたします。
受付時間：平日 9:00〜18:00（土日祝・定休）
※時間外のお問合せは翌営業日以降に回答いたします。
- Tax-Free: 10% VAT is automatically deducted for overseas addresses.
- EMS Shipping: Worldwide delivery with insurance (NOT available for USA).
- Shipping Fee: Charged separately based on weight after order placement.
- Limits: Max 200,000 JPY per order. Duties are the recipient's responsibility.
Choose options
Work introduction
The Beauty of White and Gold Woven by Nakada Kingyoku III: "Incense Burner: White Chibu Granulation & Gold Clematis"
A masterpiece filled with pure, refined allure—featuring white-on-white Chibu granulation forming swirl patterns across the background, crowned with glowing, raised-gold clematis motifs.
Chibu-uchi (granulation technique) is a traditional Kutani method using a tube tool called an icchin to apply droplets of pigment one by one with uniform precision. The white dots applied to this vessel carry a soft, rounded dimension, where subtle play of light and shadow bestows exquisite depth. The signature swirl patterns of Nakada Kingyoku III evoke ripples gracefully spreading across water, creating a dreamlike ambiance. The delicate beauty born from white dots upon a white porcelain body leaves a profound impression.
Emerging from this white backdrop, the clematis rendered in Mori-kin (raised gold) is exceptionally breathtaking. Clematis, with its strong, intertwining vines, is an auspicious motif symbolizing strong bonds. The flowing curves of the vines are remarkably elegant, and the gold radiance feels pure and gentle, resonating softly with the white porcelain.
A gourd adorns the knob of the lid, complementing the vessel's rounded silhouette. These elements wrap the aristocratic white-and-gold design in a warm, gentle atmosphere.
While an august creation poured with masterly technique, it remains a tranquil treasure—one that relaxes the soul and fills the viewer with quiet comfort upon every glance.
Dimensions: Dia. 10.2 × H 12.3 cm
Box Type: Wooden box with cord (Kiribako)
Nakada Kingyoku III
Inherited "Morikin Aotsubu" Technique:
An Unrivaled Beauty of Pointillism
Nakada Kingyoku III is the leading authority in the Aotsubu Morikin (blue dots and raised gold) technique.
Aotsubu is an overglaze relief technique in which tiny dots are applied densely across the surface, featuring variations such as shirotsubu (white dots) alongside blue. The hallmark of Nakada Kingyoku's aotsubu lies in the remarkably uniform size and spacing of each dot, which collectively form mesmerizing spiral patterns. Using a specialized piping tool called an icchin, he rhythmically places each dot onto the ceramic vessel.
Meanwhile, morikin is a technique in which patterns are first built up in relief using bengara (red iron oxide) paste before being coated with liquid gold. Nakada Kingyoku sources 24-karat gold leaf directly from Kanazawa and refines his own gold pigment. Backed by authentic materials and master craft, this beauty is truly one of a kind.
Biography
| 2003 (Heisei 15) |
Studied under Nakada Kingyoku II. |
|---|---|
| 2013 (Heisei 25) |
Selected for the National Traditional Crafts Competition. Selected for the Traditional Kutani Ware Crafts Exhibition. |
| 2016 (Heisei 28) |
Certified as a Traditional Craftsman of Kutani Ware. |
| 2017 (Heisei 29) |
Received the Ishikawa Prefecture Outstanding Traditional Craft Technician Encouragement Award. Crafted the Chairman's Trophy for the Oomurasaki Golf Club. |
| 2019 (Reiwa 1) |
Won the Ichinoseki Mayor's Award at the Japan Traditional Craftsmen Association Exhibition. |
| 2021 (Reiwa 3) |
Won the Technique Award at the 44th Traditional Kutani Ware Crafts Exhibition. |
| 2022 (Reiwa 4) |
Won the Hokkoku Shimbun Award at the 45th Traditional Kutani Ware Crafts Exhibition. |
| 2023 (Reiwa 5) |
Selected for the 70th Japan Traditional Art Crafts Exhibition with "Kumpu" (Breeze), a platinum relief white dot lidded box. Won the Ishikawa Prefectural Art and Culture Association Chairman's Award at the 27th Crafts Competition of the Kanazawa Castle and Kenrokuen Great Tea Ceremony. |
| 2025 (Reiwa 7) |
Won the Newcomer Award at the 20th Modern Small Pot Exhibition during the 50th Gafuten. |
Free gift wrapping
For an important gift, we offer free gift wrapping, gift tagging, and message cards.
Free shipping within Japan
Free shipping anywhere in Japan. Safe and secure delivery via Yu-Pack.
Overseas shipping (EMS)
We deliver to major countries. Orders up to 200,000 yen (excluding tax) can be shipped. Shipping costs will be calculated separately after your order is placed.
Corporate gifts and souvenirs
We also accept orders for plates and wooden tags (for a fee), making them a special, one-of-a-kind gift.